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 {"tstamp": 1737038784.893, "task_type": "retrieval", "type": "chat", "model": "Salesforce/SFR-Embedding-2_R", "gen_params": {}, "start": 1737038782.5949, "finish": 1737038784.893, "ip": "", "conv_id": "a637c40f70b8440fb5a7c3efd8c97f4a", "model_name": "Salesforce/SFR-Embedding-2_R", "prompt": "Which test was devised to determine whether robots can think?", "output": [["Which test was devised to determine whether robots can think?", "Turing test\n\nThe Turing test, originally called the imitation game by Alan Turing in 1950, is a test of a machine's ability to exhibit intelligent behaviour equivalent to, or indistinguishable from, that of a human. Turing proposed that a human evaluator would judge natural language conversations between a human and a machine designed to generate human-like responses. The evaluator would be aware that one of the two partners in conversation was a machine, and all participants would be separated from one another. The conversation would be limited to a text-only channel, such as a computer keyboard and screen, so the result would not depend on the machine's ability to render words as speech. If the evaluator could not reliably tell the machine from the human, the machine would be said to have passed the test. The test results would not depend on the machine's ability to give correct answers to questions, only on how closely its answers resembled those a human would give. Since the Turing test is a test of indistinguishability in performance capacity, the verbal version generalizes naturally to all of human performance capacity, verbal as well as nonverbal (robotic)."]], "corpus": "wikipedia"}
 {"tstamp": 1737043131.2723, "task_type": "retrieval", "type": "chat", "model": "jinaai/jina-embeddings-v2-base-en", "gen_params": {}, "start": 1737043131.0365, "finish": 1737043131.2723, "ip": "", "conv_id": "406c13b4bb294073b0bb6dac382e6e89", "model_name": "jinaai/jina-embeddings-v2-base-en", "prompt": "In English when to use –, — vs -?", "output": [["In English when to use –, — vs -?", "Stackoverflow Stackexchange\n\nQ: what does getting the documentElement of 0 return most javascript libraries contain lines similar to:\n    var b = (a ? a.ownerDocument || a: 0).documentElement;\n\nif a is null, what is (0).documentElement supposed to return?\n\nA: most probably: undefined\nwhat else?\n"]], "corpus": "stackexchange"}
 {"tstamp": 1737043131.2723, "task_type": "retrieval", "type": "chat", "model": "intfloat/e5-mistral-7b-instruct", "gen_params": {}, "start": 1737043131.0365, "finish": 1737043131.2723, "ip": "", "conv_id": "85a205b020aa489d80733d9c773281d2", "model_name": "intfloat/e5-mistral-7b-instruct", "prompt": "In English when to use –, — vs -?", "output": [["In English when to use –, — vs -?", "English Stackexchange\n\nQ: When to use -, – and —? \nPossible Duplicate:\nWhen should I use an em-dash, an en-dash, and a hyphen? \n\nThis is about hyphens (-), en-dashes (–) and em-dashes (—).\nWhen to use which one? To be honest, I always use em-dashes unless I join words with a hyphen, but I never use an en-dash.\n\nA: Hyphens are used in compound modifiers.\n\n\n*\n\n*a well-trained professional\n\n*over-the-counter drugs\n\n\nEn dashes are used in place of \"to\" to connect numbers or words.\n\n\n*\n\n*The London–Amsterdam flight is delayed.\n\n*The meeting is from 3:00–4:30 p.m.\n\n\nEm dashes help set off amplifying or explanatory statements.\n\n\n*\n\n*The vampire—it had been awake half the night—flew out of its coffin.\n\n"]], "corpus": "stackexchange"}
+{"tstamp": 1737045753.3518, "task_type": "retrieval", "type": "chat", "model": "Alibaba-NLP/gte-Qwen2-7B-instruct", "gen_params": {}, "start": 1737045751.0479, "finish": 1737045753.3518, "ip": "", "conv_id": "4fca9c94d7eb4d528726c4dc52ea1ee9", "model_name": "Alibaba-NLP/gte-Qwen2-7B-instruct", "prompt": "who sings the skye boat song on outlander?", "output": [["who sings the skye boat song on outlander?", "Outlander (TV series)\n\nThe Hermitage, Dunkeld in Perthshire and Milne Woods in Bridge of Allan. Much of the filming was completed at Wardpark Studios.\nProduction on season six was scheduled to begin in May 2020, but was delayed due to the COVID-19 pandemic. Production eventually began in February 2021.\nProduction for season seven began in April 2022, while filming began in May 2022 in Scotland.\nProduction for the eighth and final season began in March 2024.\nMusic\nThe music is composed by Bear McCreary. The title song is an adaptation of Robert Louis Stevenson's poem Sing Me a Song of a Lad That Is Gone, set to the tune of the Scottish folk song \"The Skye Boat Song\" and is sung by McCreary's wife Raya Yarbrough. For the first half of season two, the second verse of the opening theme is sung in French to reflect the season's French setting. For the second half of season three, the second verse of the opening theme has Caribbean music to reflect the season's Jamaican setting. The fourth season opening theme has a colonial American sound. The theme song is sung by Sinéad O'Connor for the seventh season, which was the final song recorded by O'Connor before her death in July 2023."]], "corpus": "wikipedia"}
+{"tstamp": 1737045753.3518, "task_type": "retrieval", "type": "chat", "model": "mixedbread-ai/mxbai-embed-large-v1", "gen_params": {}, "start": 1737045751.0479, "finish": 1737045753.3518, "ip": "", "conv_id": "c68c6f5883b44c12b24cc9e2a2ecfacb", "model_name": "mixedbread-ai/mxbai-embed-large-v1", "prompt": "who sings the skye boat song on outlander?", "output": [["who sings the skye boat song on outlander?", "The Skye Boat Song\n\n21st century The music can be heard in Season 3, episode 12 of Sex and the City entitled \"Don't Ask, Don't Tell\" before the first wedding of Charlotte York to Trey McDougal.\nScottish singer Barbara Dickson recorded the song in 2006, and Marc Gunn included it on his 2013 album Scottish Songs of Drinking & Rebellion.\nBear McCreary adapted the song as the opening titles of the 2014 TV series Outlander, sung by Raya Yarbrough, changing the text of Robert Louis Stevenson's poem \"Sing Me a Song of a Lad That Is Gone\" (1892) to \"Lass\" to fit the story.\nIt can also be heard as background instrumental music in several episodes of the American serial killer television series Dexter. Peter Hollens recorded an a capella cover of the song for the 2018 album Legendary Folk songs.\nIt's sung by the character Claire Louise McLeod (played by Lisa Chappell) on season 1, episode 5, \"Taking the Reins\" of the Australian TV series McLeod's Daughters.\nGeorge Donaldson of Celtic Thunder sang it in the 2015 show \"Heritage\" (arr. Phil Coulter) and on the CD and DVD of the same name. Celtic Thunder Limited. USA Sony Music Entertainment.\nThe Choral Scholars of University College Dublin recorded an arrangement by their artistic director Desmond Earley for their 2015 album Invisible Stars: Choral Works of Ireland and Scotland"]], "corpus": "wikipedia"}