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data/retrieval_individual-b05ca3f8-c521-4bfc-a840-ff14f8eda5db.jsonl

@@ -488,3 +488,7 @@
 {"tstamp": 1734550574.9226, "task_type": "retrieval", "type": "chat", "model": "sentence-transformers/all-MiniLM-L6-v2", "gen_params": {}, "start": 1734550572.73, "finish": 1734550574.9226, "ip": "", "conv_id": "9bba5164a36c4011aa9fe5583bbc12c1", "model_name": "sentence-transformers/all-MiniLM-L6-v2", "prompt": "is pith ball a conductor?", "output": [["is pith ball a conductor?", "Stackoverflow Stackexchange\n\nQ: Getting Error on Bootstrap 4 : \"Uncaught Error: Tooltip is transitioning\" I'm using Bootstrap 4, and on my current website, I'm using Tooltip. My JS is in the right format but sometimes I get an error in Console.\nThis Is My Javascript | Bootstrap 4\n<script src=\"vendor/assets/js/jquery.min.js\"></script>\n<script src=\"vendor/assets/js/jquery.easing.min.js\"></script>\n<script src=\"vendor/assets/js/tether.min.js\"></script>\n<script src=\"vendor/assets/js/bootstrap.min.js\"></script>\n\nThis is Tooltip Javascript\n$(document).ready(function(){\n    $('[data-toggle=\"tooltip\"]').tooltip();   \n});\n\nThis Is Error in Console\nbootstrap.min.js:7 Uncaught Error: Tooltip is transitioning\n   at h.hide (bootstrap.min.js:7)\n   at h._leave (bootstrap.min.js:7)\n   at HTMLAnchorElement.<anonymous> (bootstrap.min.js:7)\n   at HTMLAnchorElement.dispatch (jquery.min.js:3)\n   at HTMLAnchorElement.r.handle (jquery.min.js:3)\n   at Object.trigger (jquery.min.js:3)\n   at Object.simulate (jquery.min.js:3)\n   at HTMLDocument.c (jquery.min.js:3)\n\n\nA: There is already an issue for this bug on GitHub:\nv4.0.0-alpha.6 - Activating tooltips breaks modals (stuck \"transitioning\") \nAnd as per that thread:\n\nthis is fixed on master that wasn't released yet. This fix will hit as part of beta 1\n\n"]], "corpus": "stackexchange"}
 {"tstamp": 1734550586.985, "task_type": "retrieval", "type": "chat", "model": "Salesforce/SFR-Embedding-2_R", "gen_params": {}, "start": 1734550586.7667, "finish": 1734550586.985, "ip": "", "conv_id": "2b1da2d9d2914a25b59632bd85dcbf6f", "model_name": "Salesforce/SFR-Embedding-2_R", "prompt": "what is the difference between value and utility?", "output": [["what is the difference between value and utility?", "English Stackexchange\n\nQ: What’s the difference between “tool” and “utility”? I find these two words appear together often, especially mentioned as tool and utility for the Unix operating system. So I am wondering about the difference between them.\n\nA: Both tool and utility are nouns, but, while tool is a concrete noun, utility is an abstract noun, meaning the use one gets out of something. In computing, of course, both are Metaphors, since all computing terms are metaphors. But they're different metaphors. \nTool refers to the classic book Software Tools by Kernighan and Plauger, and the popular movement it spawned, leading ultimately to UNIX™ as the premier \"tool\"-based operating system.\nUtility, on the other hand, refers to a particular kind of low-level \"tool\" programs, the \"utility programs\". This is the same construction as \"utility outfielder\" -- on the other hand, \"utility crew\"  is a different construction that refers to the extension of Utility/ies to refer to electric, gas, water, sewage, and other common civic services. \n\"Utility programs\" are the ones that do general-purpose  software scutwork, like copying, compressing, sorting, and filtering. Many UNIX™ tool programs are utility programs -- rev, sort, ls, mv, head, etc.\n"]], "corpus": "stackexchange"}
 {"tstamp": 1734550586.985, "task_type": "retrieval", "type": "chat", "model": "intfloat/multilingual-e5-large-instruct", "gen_params": {}, "start": 1734550586.7667, "finish": 1734550586.985, "ip": "", "conv_id": "2f63e71c4374458486b5e5cf994fd890", "model_name": "intfloat/multilingual-e5-large-instruct", "prompt": "what is the difference between value and utility?", "output": [["what is the difference between value and utility?", "English Stackexchange\n\nQ: What’s the difference between “tool” and “utility”? I find these two words appear together often, especially mentioned as tool and utility for the Unix operating system. So I am wondering about the difference between them.\n\nA: Both tool and utility are nouns, but, while tool is a concrete noun, utility is an abstract noun, meaning the use one gets out of something. In computing, of course, both are Metaphors, since all computing terms are metaphors. But they're different metaphors. \nTool refers to the classic book Software Tools by Kernighan and Plauger, and the popular movement it spawned, leading ultimately to UNIX™ as the premier \"tool\"-based operating system.\nUtility, on the other hand, refers to a particular kind of low-level \"tool\" programs, the \"utility programs\". This is the same construction as \"utility outfielder\" -- on the other hand, \"utility crew\"  is a different construction that refers to the extension of Utility/ies to refer to electric, gas, water, sewage, and other common civic services. \n\"Utility programs\" are the ones that do general-purpose  software scutwork, like copying, compressing, sorting, and filtering. Many UNIX™ tool programs are utility programs -- rev, sort, ls, mv, head, etc.\n"]], "corpus": "stackexchange"}
+{"tstamp": 1734553072.9548, "task_type": "retrieval", "type": "chat", "model": "GritLM/GritLM-7B", "gen_params": {}, "start": 1734553072.7254, "finish": 1734553072.9548, "ip": "", "conv_id": "297ac22499c841fb901a81ecd75591a5", "model_name": "GritLM/GritLM-7B", "prompt": "what is insurance", "output": [["what is insurance", "Insurance\n\nInsurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. It is a form of risk management, primarily used to protect against the risk of a contingent or uncertain loss."]], "corpus": "wikipedia"}
+{"tstamp": 1734553072.9548, "task_type": "retrieval", "type": "chat", "model": "BAAI/bge-large-en-v1.5", "gen_params": {}, "start": 1734553072.7254, "finish": 1734553072.9548, "ip": "", "conv_id": "a087c60479c24acdba4a58ad8752619d", "model_name": "BAAI/bge-large-en-v1.5", "prompt": "what is insurance", "output": [["what is insurance", "Insurance\n\nInsurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. It is a form of risk management, primarily used to protect against the risk of a contingent or uncertain loss."]], "corpus": "wikipedia"}
+{"tstamp": 1734553103.5027, "task_type": "retrieval", "type": "chat", "model": "sentence-transformers/all-MiniLM-L6-v2", "gen_params": {}, "start": 1734553101.3881, "finish": 1734553103.5027, "ip": "", "conv_id": "5373a88ed67c4aae8f15ba3995b5f740", "model_name": "sentence-transformers/all-MiniLM-L6-v2", "prompt": "In search of a neural architecture search approach that addresses inefficiencies in weight-sharing space and bias using unsupervised methods.", "output": [["In search of a neural architecture search approach that addresses inefficiencies in weight-sharing space and bias using unsupervised methods.", "Title: Toward A Network-Assisted Approach for Effective Ransomware Detection\n\nAbstract: Ransomware is a kind of malware using cryptographic mechanisms to prevent victims from normal use of their computers. As a result, victims lose the access to their files and desktops unless they pay the ransom to the attackers. By the end of 2019, ransomware attack had caused more than 10 billion dollars of financial loss to enterprises and individuals. In this work, we propose Network-Assisted Approach (NAA), which contains effective local detection and network-level detection mechanisms, to help users determine whether a machine has been infected by ransomware. To evaluate its performance, we built 100 containers in Docker to simulate network scenarios. A hybrid ransomware sample which is close to real-world ransomware is deployed on stimulative infected machines. The experiment results show that our network-level detection mechanisms are separately applicable to WAN and LAN environments for ransomware detection."]], "corpus": "arxiv"}
+{"tstamp": 1734553103.5027, "task_type": "retrieval", "type": "chat", "model": "BM25", "gen_params": {}, "start": 1734553101.3881, "finish": 1734553103.5027, "ip": "", "conv_id": "3f2b12af52f34862a2df764913b7a3f9", "model_name": "BM25", "prompt": "In search of a neural architecture search approach that addresses inefficiencies in weight-sharing space and bias using unsupervised methods.", "output": [["In search of a neural architecture search approach that addresses inefficiencies in weight-sharing space and bias using unsupervised methods.", "Title: HM-NAS: Efficient Neural Architecture Search via Hierarchical Masking\n\nAbstract: The use of automatic methods, often referred to as Neural Architecture Search (NAS), in designing neural network architectures has recently drawn considerable attention. In this work, we present an efficient NAS approach, named HM- NAS, that generalizes existing weight sharing based NAS approaches. Existing weight sharing based NAS approaches still adopt hand-designed heuristics to generate architecture candidates. As a consequence, the space of architecture candidates is constrained in a subset of all possible architectures, making the architecture search results sub-optimal. HM-NAS addresses this limitation via two innovations. First, HM-NAS incorporates a multi-level architecture encoding scheme to enable searching for more flexible network architectures. Second, it discards the hand-designed heuristics and incorporates a hierarchical masking scheme that automatically learns and determines the optimal architecture. Compared to state-of-the-art weight sharing based approaches, HM-NAS is able to achieve better architecture search performance and competitive model evaluation accuracy. Without the constraint imposed by the hand-designed heuristics, our searched networks contain more flexible and meaningful architectures that existing weight sharing based NAS approaches are not able to discover."]], "corpus": "arxiv"}

data/retrieval_side_by_side-b05ca3f8-c521-4bfc-a840-ff14f8eda5db.jsonl

@@ -38,3 +38,4 @@
 {"tstamp": 1734546596.5914, "task_type": "retrieval", "type": "leftvote", "models": ["GritLM/GritLM-7B", "intfloat/e5-mistral-7b-instruct"], "ip": "", "0_conv_id": "330d7e3952454cb4a1217b974cdb89b9", "0_model_name": "GritLM/GritLM-7B", "0_prompt": "farad", "0_output": [["farad", "Farad\n\nThe farad (symbol: F) is the unit of electrical capacitance, the ability of a body to store an electrical charge, in the International System of Units (SI), equivalent to 1 coulomb per volt (C/V). It is named after the English physicist Michael Faraday (1791–1867). In SI base units 1 F = 1 kg−1⋅m−2⋅s4⋅A2.\nDefinition\nThe capacitance of a capacitor is one farad when one coulomb of charge changes the potential between the plates by one volt. Equally, one farad can be described as the capacitance which stores a one-coulomb charge across a potential difference of one volt.\nThe relationship between capacitance, charge, and potential difference is linear. For example, if the potential difference across a capacitor is halved, the quantity of charge stored by that capacitor will also be halved.\nFor most applications, the farad is an impractically large unit of capacitance. Most electrical and electronic applications are covered by the following SI prefixes:\n1 mF (millifarad, one thousandth () of a farad) = 0.001 F =  μF =  pF\n1 μF (microfarad, one millionth () of a farad) = 0.000 001 F =  nF =  pF\n1 nF (nanofarad, one billionth () of a farad) = 0.000 000 001 F = 0.001 μF =  pF\n1 pF (picofarad, one trillionth () of a farad) = 0.000 000 000 001 F = 0.001 nF"]], "0_corpus": "wikipedia", "1_conv_id": "5a478fa86a3d495c985bab13504da53f", "1_model_name": "intfloat/e5-mistral-7b-instruct", "1_prompt": "farad", "1_output": [["farad", "Michael Faraday\n\nMichael Faraday  (; 22 September 1791 – 25 August 1867) was an English scientist who contributed to the study of electromagnetism and electrochemistry. His main discoveries include the principles underlying electromagnetic induction, diamagnetism and electrolysis. Although Faraday received little formal education, as a self-made man, he was one of the most influential scientists in history. It was by his research on the magnetic field around a conductor carrying a direct current that Faraday established the concept of the electromagnetic field in physics. Faraday also established that magnetism could affect rays of light and that there was an underlying relationship between the two phenomena. He similarly discovered the principles of electromagnetic induction, diamagnetism, and the laws of electrolysis. His inventions of electromagnetic rotary devices formed the foundation of electric motor technology, and it was largely due to his efforts that electricity became practical for use in technology.\nAs a chemist, Faraday discovered benzene, investigated the clathrate hydrate of chlorine, invented an early form of the Bunsen burner and the system of oxidation numbers, and popularised terminology such as \"anode\", \"cathode\", \"electrode\" and \"ion\". Faraday ultimately became the first and foremost Fullerian Professor of Chemistry at the Royal Institution, a lifetime position."]], "1_corpus": "wikipedia"}
 {"tstamp": 1734546725.5422, "task_type": "retrieval", "type": "rightvote", "models": ["GritLM/GritLM-7B", "intfloat/e5-mistral-7b-instruct"], "ip": "", "0_conv_id": "fea17604e2bb411d810d17ed73fd1a3d", "0_model_name": "GritLM/GritLM-7B", "0_prompt": "decaprio film about a kid running away and pretending to be people to get into places and go places", "0_output": [["decaprio film about a kid running away and pretending to be people to get into places and go places", "Leonardo DiCaprio filmography\n\nLeonardo DiCaprio is an American actor who began his career performing as a child on television. He appeared on the shows The New Lassie (1989) and Santa Barbara (1990) and also had long-running roles in the comedy-drama Parenthood (1990) and the sitcom Growing Pains (1991). DiCaprio played Tobias \"Toby\" Wolff opposite Robert De Niro in the biographical coming-of-age drama This Boy's Life in 1993. In the same year, he had a supporting role as a developmentally disabled boy Arnie Grape in What's Eating Gilbert Grape, which earned him nominations for the Academy Award for Best Supporting Actor and the Golden Globe Award for Best Supporting Actor – Motion Picture. In 1995, DiCaprio played the leading roles of an American author Jim Carroll in The Basketball Diaries and the French poet Arthur Rimbaud in Total Eclipse. The following year he played Romeo Montague in the Baz Luhrmann-directed film Romeo + Juliet (1996). DiCaprio starred with Kate Winslet in the James Cameron-directed film Titanic (1997). The film became the highest grossing at the worldwide box-office, and made him famous globally. For his performance as Jack Dawson, he received the MTV Movie Award for Best Male Performance and his first nomination for the Golden Globe Award for Best Actor – Motion Picture Drama.\nIn 2002, DiCaprio played con-artist Frank Abagnale, Jr. opposite Tom Hanks in the Steven Spielberg-directed biographical crime-drama Catch Me If You Can and also starred in the Martin Scorsese-directed historical drama Gangs of New York. He founded his own production company, Appian Way, in 2004. The next two films he starred in were both directed by Scorsese: the Howard Hughes biopic The Aviator (2004) and the crime drama The Departed (2006). For his portrayal of Hughes in the former, DiCaprio won the Golden Globe Award for Best Actor – Motion Picture Drama and garnered his first nomination for the Academy Award for Best Actor."]], "0_corpus": "wikipedia", "1_conv_id": "3ddff40f9c61482297a716e3e8de94ec", "1_model_name": "intfloat/e5-mistral-7b-instruct", "1_prompt": "decaprio film about a kid running away and pretending to be people to get into places and go places", "1_output": [["decaprio film about a kid running away and pretending to be people to get into places and go places", "Catch Me If You Can\n\nCatch Me If You Can is a 2002 American biographical crime comedy-drama film directed and produced by Steven Spielberg and starring Leonardo DiCaprio and Tom Hanks with Christopher Walken, Martin Sheen, Nathalie Baye, Amy Adams, and James Brolin in supporting roles. The screenplay by Jeff Nathanson is based on the semi-autobiographical book of the same name by Frank Abagnale Jr., who claims that prior to his 19th birthday, he successfully performed cons worth millions of dollars by posing as a Pan American World Airways pilot, a Georgia doctor, and a Louisiana parish prosecutor. The truth of his story is heavily disputed.\nA movie version of Abagnale's book of the same name was contemplated soon after it was published in 1980 but began in earnest in 1997 when Spielberg's DreamWorks bought the film rights. David Fincher, Gore Verbinski, Lasse Hallström, Miloš Forman, and Cameron Crowe were all considered to direct the film before Spielberg decided to direct it himself. Filming took place from February to May 2002.\nThe film opened on December 25, 2002, to positive reviews from critics and was a commercial success, grossing $352 million worldwide. At the 75th Academy Awards, Christopher Walken and John Williams were nominated for Best Supporting Actor and Best Original Score, respectively.\nPlot\nIn 1969, FBI agent Carl Hanratty arrives in Marseille, France, to pick up a prisoner named Frank Abagnale Jr., who has fallen ill due to the prison's poor conditions."]], "1_corpus": "wikipedia"}
 {"tstamp": 1734546768.2758, "task_type": "retrieval", "type": "tievote", "models": ["GritLM/GritLM-7B", "intfloat/e5-mistral-7b-instruct"], "ip": "", "0_conv_id": "2e19da0a7c364958bb739d4e81986653", "0_model_name": "GritLM/GritLM-7B", "0_prompt": "what film earned $352M globally", "0_output": [["what film earned $352M globally", "2023 in film\n\nThe film achieved the second-highest-grossing opening weekend in the US and Canada for an animated film behind Incredibles 2 (2018), earning $146 million in a 3-day frame and $204 million in a 5-day frame over Easter weekend.\nIt set the record for the biggest five-day opening weekend (for films opening on Wednesday) in North America, surpassing Transformers: Revenge of the Fallen (2009).\nIt set the record for Illumination's biggest opening, surpassing Despicable Me 2 (2013).\nIt became the highest-grossing video game film of all time, surpassing Warcraft (2016) in nine days by April 13.\nIt became the first animated film to gross $1 billion since the COVID-19 pandemic began in 2019. The last animated film to do so was Frozen II.\nIn Japan, its opening weekend gross of $14.3 million became the highest for a Hollywood animated film, as well as the highest for a film from Universal, surpassing Jurassic World Dominion (2022).\nIn Mexico, it became the highest-grossing film of all time with $82.4 million, surpassing Spider-Man: No Way Home (2021) which made $81.16 million.\nOppenheimer became the highest-grossing World War II film of all time, surpassing Dunkirk (2017), also directed by Christopher Nolan.\nIt became the highest-grossing biographical film of all time, surpassing Bohemian Rhapsody (2018).\nIt is the second-highest-grossing R-rated film of all time behind Joker (2019) and the highest-grossing opening weekend for an R-rated film since the COVID-19 pandemic."]], "0_corpus": "wikipedia", "1_conv_id": "e8ff1edfc15a4c4d99ad6c3ef057227d", "1_model_name": "intfloat/e5-mistral-7b-instruct", "1_prompt": "what film earned $352M globally", "1_output": [["what film earned $352M globally", "2017 in film\n\nBeauty and the Beast broke Batman v Superman: Dawn of Justices records ($166 million) for the highest weekend debut in March ($174.8 million) and for a spring release, The Loraxs record ($70.4 million) for the highest weekend debut for a musical film, Pitch Perfect 2s record ($69.2 million) for the highest weekend debut for a live-action musical film, and Harry Potter and the Deathly Hallows – Part 2s record ($169.2 million) for the highest weekend debut for a live-action fantasy film.\nThe Fate of the Furious broke Jurassic Worlds record ($316.6 million) of largest foreign weekend debut ($432.3 million) and Star Wars: The Force Awakens record ($529 million) of largest worldwide weekend debut ($541 million).\nWonder Woman, directed by Patty Jenkins, grossed $103.3 million in its opening weekend, breaking the record for a female-directed film previously held by Fifty Shades of Grey, directed by Sam Taylor-Johnson ($85.2 million on 13–15 February 2015); the film also became the highest-grossing World War I film, surpassing War Horse ($79.9 million on 25–28 December 2011). It also became the highest-grossing superhero origin film. Overall, it is the highest-grossing female-directed film, surpassing Phyllida Lloyd's Mamma Mia! ($609.8 million).\nDespicable Me 3 broke The Twilight Saga: Eclipses 4,468 theater count with a theater count of 4,529 theaters in its first week. It would have six more theaters in its second week, going to 4,535 theaters."]], "1_corpus": "wikipedia"}
+{"tstamp": 1734553085.3597, "task_type": "retrieval", "type": "tievote", "models": ["GritLM/GritLM-7B", "BAAI/bge-large-en-v1.5"], "ip": "", "0_conv_id": "297ac22499c841fb901a81ecd75591a5", "0_model_name": "GritLM/GritLM-7B", "0_prompt": "what is insurance", "0_output": [["what is insurance", "Insurance\n\nInsurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. It is a form of risk management, primarily used to protect against the risk of a contingent or uncertain loss."]], "0_corpus": "wikipedia", "1_conv_id": "a087c60479c24acdba4a58ad8752619d", "1_model_name": "BAAI/bge-large-en-v1.5", "1_prompt": "what is insurance", "1_output": [["what is insurance", "Insurance\n\nInsurance is a means of protection from financial loss in which, in exchange for a fee, a party agrees to compensate another party in the event of a certain loss, damage, or injury. It is a form of risk management, primarily used to protect against the risk of a contingent or uncertain loss."]], "1_corpus": "wikipedia"}